Художньо-дизайнерська інтерпретація твору мистецтва в архітектурному середовищі

Abstract

У статті розглядаються особливості художньо-дизайнерської інтерпретації твору мистецтва в архіте- ктурному середовищі. Обґрунтовується, що загальна «дизайнерізація» сучасного життя обумовлює появу

проблеми поновлення дизайнерської культури та виявляє проблему нової інтерпретації творів мистецтва в архітектурному середовищі. .Distinctive features of art and design interpretation of a work of art in the architectural environment are considered

in the article. It is defined, that the total “designerization” of modern life causes the need for renovation of design cul- ture and new interpretation of works of art in the architectural environment. It is determined that one of the steps to- wards solving these problems is providing theoretical techniques of art and design interpretation of a work of art in the

architectural environment. On the basis of the reviewed literature it is defined that researches in the field of design of

the environment in terms of interpreting the language of surrounding reality into the language of artistic images, learn- ing and mastering the laws and rules of this language by the specialists of different artistic disciplines are relevant. The orientation of this direction into the sphere of fine arts, professional training of future artists and designers is determined as the priority. According to the purpose of the study, which involves revealing distinctive features of art and design

interpretation of a work of art in the architectural environment, certain trends in art and design of surroundings are iden- tified. They are exclusion of stylistic unification; a priority to “universal functionality”; new material technology sup- port; rejection of restrictions on two-dimensionality of flatness, linear perspective, etc; targeting to the dynamic percep- tion of three-dimensional unity; combination of perspectives from different points of view; an active introduction of

relief; expansion of picturesque space into architectural one. The essence of artistic design in the architectural environ- ment is in artistic and conscious synthesis of the subject and spatial realities and lifestyles, project transformation of

pragmatic requests into aesthetic values. It is emphasized that the concepts of “work of art” and “art object” are not

identical. A work of art should be considered as a generalizing detail, that leads to the integrity, as a special type of real- ity, symbiosis of space and time in the form of an artistic image that form their own environment with their own emo- tional and aesthetic content, time and spatial organization. An art object should be considered as “an abstract visuality”

in which an artistic message is encrypted. It reveals to every spectator in a new way every time, as simulacra, universal aesthetic codes, which make a bridge between an individual and the absolute. Accents are removed from the process of creating an art object to the process of its interpretation. Distinctive features of art and design interpretation of a work of art in the architectural environment manifest themselves in violation of established norms and stereotypes for promoting the process of artistic communication and formation of personal aesthetic relationships between the environment and an

individual. In the perspective for further research, the need for developing methods of design “self-expansion” in to- day’s environment aimed at intensifying meanings of the environment and giving them personal meaning is outlined.