The female and male origins in Chinese cosmogonic myths.

Abstract

The mysterious adventure and development of the Universe is central to the mythological decline of all nations. The stench emerges as a symbol of the collective awareness of mankind at the beginning of history, and also as a personal official, pouring into the socio-cultural life of the richness and valuable landmarks. Cosmogonic myths are the result of the development of such aspects as the light structure and connections between its parts (synchronic approach) and the process of revelation of all beings (diachronic approach). The comprehension of complex speeches was achieved through the consolidation of categories and phenomena known to mankind, eliminating the dichotomy of human and female principles.